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Sweet Fire Reviews Kirkus
Reviews
The
San Diego Union - Tribune; San Diego, Calif.; Jan 5, 2003; MacEnulty has constructed a gritty and sorrowful book about a young girl with an appetite for the damage done. Sweet Fire annihilates preconceived notions a child of the '70s, Trish comes from a broken but still functional family, and she's witty, articulate and street-smart enough to know better than to get caught up chasing the dragon. But once Trish gets her first taste of sweet fire, her life unravels faster than a rush of blood to the head. In an arc of self-destruction, her cross-country wanderings take her from drug dens to rehabs to prison, with a few bleary-eyed months spent in Ocean Beach, trying to score from Tijuana barrios. Maddeningly obstreperous even in her moments of clarity, Trish lives and breathes smack. She crosses paths with a series of dope- sick men, all of them looking for love in the barrel of a needle, none loyal enough to her to trade a high for a chance at something real. Trish's self-hatred wrenches the heart: Fed up and looking to kick, she convinces herself that her friends would be better off without her I would be one less arm to feed. Literary embellishment has no place in a book this stark. MacEnulty's writing is as straightforward as cinder blocks square, unadorned phrases reminiscent of prison-veteran-turned-author Edward Bunker. Trish's take on the world is tragic and rueful, and not once does she glorify the tough life she has chosen for herself. When I look back on those days, she says, I feel like I'm watching a scary movie the kind where you're always yelling at the girl not to go into the house or not to open that closet door. ... But just like the girl in the movie, I always go back into the house where the maniac is waiting, and I am both the maniac and the girl.
Guardian
Unlimited, Saturday Feb. 1
Hephzibah Anderson rounds up first novels from Goldberry Long, Susan Perabo, Conrad Williams and Pat MacEnulty (The Guardian Unlimited) MacEnulty can write and if Sweet Fire smacks of art-as-therapy, her lean, easy prose propels her story beyond the personal, making for more than convincing fiction. A
junkie comes of age It wasn't much of a marriage for this 18-year-old ... by the second month, he'd been sentenced to the drug program for the stolen stereo, then we spent two weeks on the run and the last two weeks back at our parents' ... after Charlie got picked up by the cops. While Trish says she's determined not to let heroin rule her life, drugs reign whether she's in her hometown of Jacksonville or on the road. In this graceful, unflinching novel, Pat MacEnulty meticulously develops the story of people on the edge fighting to regain a foothold to life. As Sweet Fire chronicles the life of an addict, the author makes us care deeply about this young woman coming of age during the 1970s. No matter how low Trish sinks, MacEnulty imbues Sweet Fire with a sense of hope and Trish with a candor that makes her appealing and likable, despite any reservations one has about the life she has chosen. Trish's recurring relationship with drugs becomes the one constant in her life. I fell in love with heroin, which had made life both easier and harder. Her addiction makes it easy for her to get involved with one loser boyfriend after another. While hustling keeps her on the move from Florida to California to Mexico, a new career opportunity arises robbing drugstores. Without sentimentality or pop psychology, the author richly explores what led Trish to drugs. Her father is an alcoholic college professor and poet who abandons his family early; her mother, a concert pianist, is the daughter of two alcoholics. She's spent her life living with alcoholics, Trish says about her mother. Two parents. Two husbands. Living with a dope fiend is probably easier. At least I'm not violent when I'm high. Sweet Fire is the kind of novel that has found a home with the edgy London publisher Serpent's Tail. The publisher continues to stretch the boundaries of crime fiction and novels holding to its mission of introducing extravagant, outlaw voices neglected by the mainstream. Sweet Fire falls into no category, which something that most major American publishers tend to avoid. Sweet Fire is part novelized memoir, part crime fiction, part coming of age. MacEnulty, a former Sun-Sentinel staffer who often contributes freelance book reviews from her North Carolina home, has based the story on her own experiences. Sweet Fire is a tough, uncompromising story that at the same time hinges on the belief that people can change their lives.
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